Etana + Culture
Etana’s name means “The Strong One” in Swahili, and it’s a title she more than lives up to with her music and presence. Since debuting in 2006 with the thought provoking single “Wrong Address,” the Jamaican-born singer has established herself as one of the most powerful and distinctive voices in reggae, blazing a new trail in a genre that has long been male-dominated.
Etana’s story begins in August Town, a treacherous but culturally rich garrison community in eastern Kingston that has produced such musical talents as Sizzla and Israel Vibration. Growing up, Etana’s home was filled with music, but it was country and western that she recalls leaving the biggest impression. “Every Sunday was country music day,” says Etana. “A lot of people in Jamaica play gospel music on a Sunday, or old rub-a-dub. In my house it was country, like Dolly Parton. Tammy Wynette was my favorite of all the artists my mom used to play.” Etana discovered her talent at the age of 6 while singing at home in the backyard for her aunt. Her charming voice beaconed an huge audience of neighbors who gathered to here “little Shauna” sing. Etana’s backyard singing led to microphones of local sound systems playing in the neighborhood and thats where he love of music began. continues...
Culture is reggae’s preeminent harmony group. Born in the 70′s golden age of reggae, the ever viable Culture garnered continual US and international acclaim for its long series of classic “roots” albums. Culture’s legendary “Two Sevens Clash” (Shanachie) was Reggae Album of the Year in 1977 and is acknowledged today by Rolling Stone Magazine (April 11, 2002) as #25 of the 50 all time coolest records (the only reggae album to make the list).
Culture’s music, featuring the shining lead vocals of Joseph Hill, is solidly roots, perfectly executed and delivered with genuine emotional fervor. Joseph Hill’s devotion to the traditional Rastafarian values of purity, simplicity and justice is exemplified by Culture’s lyrical themes. Milo Miles, writing for The New York Times, named Culture as “the leading exponent of ‘conscious reggae’”. Hill’s message is clear and uplifting. His songwriting abilities are outstanding and music reviewers have lauded his achievements for two decades.
Born in St. Catherine, Jamaica and involved with music since early youth, Joseph Hill began his professional recording career in 1972 with the single “Behold the Land.” By 1976 Joseph and his cousin Albert Walker had formed a trio whose name evolved into Culture with the release of the mythic “Two Sevens Clash.” Joseph Hill performed solo under the name Culture and recorded several projects during the early eighties; he and Albert subsequently reunited and produced a long series of critically acclaimed recordings. In fact, Culture’s entire body of work (over 28 albums) can be recommended almost without exception. Noted albums such as “Nuff Crisis”, “Cumbolo,” and “Wings of a Dove” virtually define the “roots” genre. continues...
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